Be sure to make it to the Digiplex this Sunday, April 27 for the film, Much Ado About Nothing - a modern retelling of Shakespeare's classic comedy about two pairs of lovers with different takes on romance and a way with words. The film starts at 3:00. Hope to see you there.
John Anderson's questions regarding this film:
1. Does keeping the film to a limited setting enhance the impact of the play?
2. To what effect does shooting in black and white have in interpreting the text.
3. What interpretations of Shakespeare in non-Elizabethan settings have worked the best?
Local Film News
(After finishing this post, I found out the Ken Cinema will not be closing. The parties involved in the negotiations have come to an agreement and the Ken will remain open. Yay!!)
Sad news for film buffs. It looks as if the Ken Cinema in San Diego will be closing. This is one of the few single screen movie theaters left in our area (the La Paloma is still alive). If you want to read about the confusing negotiations regarding this old treasure, click here:
http://www.kpbs.org/news/2014/apr/15/ken-cinema-closing/
One of the 10 best theaters according to Forbes |
http://www.forbes.com/sites/forbestravelguide/2012/07/06/10-movie-theaters-worth-traveling-for/
Book Nook
This is a fun book in case you're thinking of becoming a filmmaker. You can save your tuition and just spend $15.00 for this book which will guide you with lots of helpful information. Author Landau only devotes 1 page to Filmspeak - a list of movie terms. This list could have been expanded to a few more pages, if you ask me. When I look at the titles after a film, there are always lots of terms that completely baffle me.
Here are some helpful hints that I thought seemed interesting:
A flawed protagonist is more compelling than a perfect protagonist.
1 screenplay page = 1 minute of screen time
A high concept movie can be explained in one sentence
Plot is physical events; story is emotional events
Etc. etc. You'll have to buy the book to find out more.
The only thing the book doesn't tell you is the most important part of filmmaking. Where to get the money to make your film. I guess they don't teach that in film school.
In Memoriam
We lost one of our most brilliant authors this month - The Nobel Prize winnr, Gabriel Garcia Marquez.
I'm including him in this film blog because one of my favorite books of his, Love in the Time of Cholera was made into a movie. So he belongs here, don't your think?
If you haven't seen it, here's a trailer FYI:
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